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Outreach & Education

SPUNK

SPUNK

 

By George C. Wolfe 

Moderated by Niambi D. Webster

George C. Wolfe blends Zora Neale Hurston’s evocative prose and Wolfe’s unique theatrical style to create an evening of theatre that celebrates the human spirit’s ability to overcome and endure. Utilizing the blues, choral narrative and dance, the three tales focus on men and women trapped inside the “laughin’ kind of lovin’ kind of hurtin’ kind of pain that comes from being human.”

About the playwright  

Playwright and artistic director at UC Berkley, George C. Wolfe was born on September 23, 1954 in Frankfort, Kentucky. Wolfe attended the Rosenwald Laboratory School, where he discovered an interest in staging and directing. As a teenager, Wolfe attended a summer theater workshop at Miami University in Oxford, Ohio and began directing plays. Wolfe graduated from Pomona College in 1976 with a B.A. in theater. He wrote and directed his first play, Up for Grabs, in 1975. The following year, he premiered Block Party. Wolfe completed a six-month postgraduate artist residency at Pomona College before meeting C. Bernard Jackson, who funded the first production of Wolfe’s Tribal Rites at the Inner City Cultural Center in Los Angeles. Wolfe staged several plays in Los Angeles before moving to New York in 1979, where he graduated with his M.F.A. in 1983 from New York University School of the Arts. He premiered Paradise! in 1985 and The Colored Museum in 1986, which garnered the attention of New York Shakespeare Festival founder Joseph Papp. Following the premiere of Spunk (1989), Papp named Wolfe a resident director in 1990. Wolfe won his first Obie award for Spunk’s New York production that same year. In 1992, Wolfe made his Broadway debut with Jelly’s Last Jam at the Virginia Theatre, and achieved widespread recognition when he directed the Broadway premiere of Tony Kushner’s Angels in America in 1993. He was named producer of the New York Shakespeare Festival that year and went on to produce ten seasons. Wolfe also directed the 1997 world premiere of Amistad at the Lyric Opera in Chicago, Illinois. He staged Shuffle Along, or The Making of the Musical Sensation of 1921 and All That Followed at the Music Box Theatre in New York City in 2016

Source: The History Makers

About the moderator

Niambi D. Webster is a touring music dance theatre artist. She founded, produced and directed for ten years, The Langston Hughes Company of Players. The ensemble toured all of the country performing such plays as: “Jonnas,” “For Colored Girls,” “Ma Raineys Black Bottom,” and performed African American History programs throughout the State of Iowa. She received Artist of the year from The State of Iowa Arts Council. Niambi taught multicultural/ethnic education for 28 years on the collegiate level and 23 years teaching theatre,  English, speech and dance in high schools.

She has been  on the stages of Hattiloo, Playhouse on the Square, Theatre Memphis, Evergreen, Bluff City, and The Civic Center (where she directed The Junteenth Story” for three years). 

Meeting Dates & Times

MEETING LOCATION:Theatre Memphis, 630 Perkins Extd, Memphis, TN 38117

MEETING TIME: Wednesday, November 1, 2023: 7pm 

Registration

It is free to particpate but you will need to register. Fill out the form at the link below. We are offering scripts to check out for 3 days for a $10 refundable deposit or the scripts can be purchased here.

 

Lohrey Theatre

Seats up to 411

Both the Lohrey Theatre and the Next Stage Theatre are wheelchair accessible with a handicapped accessible restroom on the same level as the main lobby to both venues. The Lohrey Theatre also provides hearing assisted equipment to any who may require or request it, at no charge.

Lohrey Theatre Seating Chart

(Next Stage is open seating)

Next Stage

Seats up to 110

The black box Next Stage seats up to 110 and is also wheelchair accessible with state of the art equipment for sound and lighting.